Bill Meyer is a multi-disciplinary artist. Across his forty year career, he has worked with photography, sound and performance art, installation, murals, poetry and printmaking. This last medium is perhaps his most adept, having served as president of the Print Council of Australia in the 1980s.
Self-described as a wanderer, Meyer is in a constant state of reinvention, recording the changes he undergoes through art. This theme is prevalent in ‘Variations, Bunderpost, New York, Subway Graffiti’, dated 1975. Despite referencing real places, it in truth conveys a psychological landscape suffused with the concept of transience. Meyer asks: what traces are left by expired moments; what changes when you leave or arrive; how do you capture the spirit of place?
A respected and well-traveled artist, Meyer’s work is represented at the British Council for Visual Arts and has received numerous grants from Australia Council. He is also represented in significant private, public and corporate collections. For collectors of late-modern art and prints, this cool and curious work will intrigue.
Bill MEYER (1942 - )
'Variations, Bunderpost, New York, Subway Graffiti' 1975
screenprint on paper
Edition of 35
Image Size: 35 x 45 cm
Dimensions: 51 x 68 cm
Signed: Signed, titled and editioned in bottom margin.
Comes with Letter of Provenance
Embossed with Billy Meyer Studio London stamp.
Availability: in stock
© The Artist or Assignee
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